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• title ( type="main" lang="lzh" ) : 毛詩正義：國風（電子版）
• title ( type="alt" lang="en" ) : The Righteous Meaning of the Poems in the Mao Tradition: The Airs of the Kingdoms (An electronic version)
• title ( type="short" lang="zh" ) : 國風
• title ( type="short" lang="en" ) : Guofeng
• edition : Electronic edition: This edition aims at making visible the structure of the text - i.e. to set the preface and the lines of the poems out and to distinguish the voices of three main orthordox commentators, namely a certain Sir Mao, also known under the name of Mao Heng (1st century BC), Zheng Xuan (127-200) and Kong Yingda (574-648). As commentators make use of external ressources to interpret the Poems, identifiable ressources have also been tagged. For indication of status (low=draft/medium=completed/high=revised), see the editorial declaration and the revision section in the header.
• resp : Project Leader and Main Researcher
Bizais-Lillig Marie / 畢 茉莉
• resp : Research Engineer
Wang Ilaine
• resp : Research Engineer
Hu Xinmin / 胡 欣旻
• funder : USIAS
• funder : COLLEX-Persée
• authority : Université de Strasbourg
• authority : Estrades
• pubPlace : France
• date : 2022
• idno ( type="DOI" ) : xxx
• licence ( target="https://creativecommons.org/licenses/by-sa/4.0/" ) : Creative Commons CC-BY-SA (Attribution-ShareAlike) 4.0 International Public License
• title ( type="main" lang="lzh" ) : 毛詩正義（電子版）
• title ( type="lat" lang="en" ) : The Correct Meaning of the Poems according to Mao (An electronic version)
• p : The anthology of poems hereby edited is also known under the following names: the Classic of Poetry, le Classique des Poèmes, le Classique des Odes, les Odes.
• p : This edition takes as a reference the printed version of the Thirteen Classics 十三經. Its production was made easier by a previous digital version published on Wikisource (licensed: CC-BY_SA). It was revised, especially to indicate variants, thanks to the consultation of other editions.
Mao Heng / 毛 亨Zheng Xuan / 鄭 玄Kong Yingda / 孔 穎達Lu Deming / 陸 德明
• head : Reference Works
• (Main Editor), 毛詩正義, in 十三經注疏, Shanghai guji chubanshe 上海古籍出版社, Shanghai 上海, 1997, page 269-276.
• 毛詩正義 卷一, 2020, [online] .
• head : Consulted Works
• 毛詩正義, in 武英殿十三經注疏, 1871, [online] .
• Cheng Junying / 程 俊英 (Editor), Jiang Jiangyuan / 蔣 見元 (Editor), 詩經注析, Zhonghua shuju, Beijing, 1991.
• p : Développer ici
• p : The editorial work on the text consist mainly in bringing to light three elements. The first one is the structure of the text that is made of different layers, i.e. the poem, a preface attributed to a certain Mao Heng, commentaries on words, lines, couplets or stanzas by Mao Heng and by Zheng Xuan, phonological annotations by Lu Deming, and subcommentaries by Kong Yingda related to words, lines, couplets, stanzas, or the entire poem, but also to Mao Heng and Zheng Xuan's commentaries. The edition also includes identification of quotations within commentaries. Finally, it takes into account editorial variants.
• p : Modern punctuation is added to the text. Within poems, a general principle of separating linked lines by simple comma is applied. Within prose, commas and periods are proposed, although some passages could be alternatively interpreted. Titles are identified using quotation marks of this type 《Title》, whereas citations begin and end with quotation marks of that type 「Citation」.
• p : As often as possible, each citation is linked to its source (either a person or a title) and identified between quotation marks. Beginning of citation passage is identified using "cit" tag, followed by "ref" if source is identified, and by "quote" for quoted text material.
• tagUsage ( gi="front" ) : "front" is used at the beginning of the file and includes two parts ("div"): an introduction, and the poem. The introduction is subdivided in two parts ("types"): the preface, and subcommentaries. The preface might be authored distinctly by Mao Heng, Zheng Xuan or Lu Deming ("resp"). Subcommentaries were produced by Kong Yingda and might either of the prefaces.
• tagUsage ( gi="div" ) : "div" is used in the "front" section to separate the introductory texts (prefaces and subcommentaries) from the poem itself. In the "body" section, it is used to distinguish commentaries, attributed to Mao Heng, Zheng Xuan and Lu Deming, from subcommentaries by Kong Yingda and his team. Commentaries are also subdividied ("div") depending on the line, the group of lines or the stanza it refers to.
• tagUsage ( gi="back" ) : "back" is used to tag the sentence which wraps basic information about the poem just before the title of the next poem appears. It is composed of the title of the poem, the number of stanzas that compose it, and the number of lines for each stanza.
• catDesc : Commentaries
• catDesc : Commentary
• catDesc : Subcommentary
• label : xxx
• language ( ident="lzh" ) : Literary Chinese
• language ( ident="och" ) : Old Chinese
• language ( ident="ltc" ) : Late Middle Chinese
• language ( ident="en" ) : English
• language ( ident="fr" ) : French
• p : First version. As indicated in the editorial section, this file's status is considered low as the text has not been fully proofread.